This process is a result of the paintings I have worked on over the past several years. It began when I started to alter and modify the layers of paint to an extent that I transformed them into planes. I divide the space of the painting into three areas: the background, the middle-ground and the foreground. I added an extra spatial plane which is located on the top of all the dimensions and illustrates the unknown.

I know that many people are familiarized with the multilayers technique in painting. I use this technique but in my own way. I work with different layers of paint in the middle-ground and background, but, for me, each of these layers is a plane and has its own significance and hierarchal structure. In the foreground, is the real object and is the only thing I draw in the canvas before I start painting. Depending of the complexity of the concept, some paintings don’t have the foreground. What I mean about this is that the object doesn’t appear as a real matter because it is still in a stage of distortion.